Compact, fast, and full-frame—the limited edition white V-RAPTOR 8K VV Camera is RED DIGITAL CINEMA‘s impressive introduction to their new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VistaVision, 6K Super35, 4K, 3K Super16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR’s RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture. In response to user feedback, RED has added a right-side user interface that brings control to 1st and 2nd ACs right at the camera. Dual 12G-SDI outputs, resolutions including 16-bit REDCODE Raw at significantly higher frame rates, 1080 streaming, 17+ stops of dynamic range, and phase-detection autofocus (PDAF) further boost the V-RAPTOR’s suitability for a range of production styles.
New Full-Frame Sensor
Compact Micro-V Batteries
CFexpress Card Capture
Input and Outputs
High-Speed and REDCODE Options
- When slow-motion is your thing, the V-RAPTOR delivers with high-speed frame rates options, including 8K 17:9 at 120 fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps, and 2K 2.4:1 up to a blazing 600 fps.
- REDCODE Raw options have been simplified with HQ, MQ, and LQ selections equaling the more popular choices available in RED DSMC2 cameras. Because the 8K sensor captures such massive detail, RED recommends trying MQ or even LQ for most uses, with HQ being ideal for F/X work. Data rates range from 180 MB/s in LQ to 360 MB/s in HQ, so you can plan your media needs accordingly.